Far Wide Radio

Far Wide Radio@farwideradio

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Season 3 episodes (4)

The Telescope in the Signal
S03:E04

The Telescope in the Signal

The one that should have been caught earlier. An instrument does not see a rectangle. It sees a tilted patch inside one, and reflecting the frame about its diagonal moves that patch — so every pixel the telescope covered on one side of the mirror and not the other is subtracted against nothing and comes back at full strength. Across sixty-four cubes, that edge is most of what this technique was reporting. On the worst of them it is 99.6% of it. The first movement is one such cube with the edge left in. The second is the same cube, at the same scale and the same gain, with those pixels removed. It runs three minutes and twenty seconds and it is silent from end to end. That is the finding, not a fault: nothing that cube was telling us survived the removal of the telescope’s own shape. The third movement is that silent piece again on its own scale, so you can hear that something is there — about forty decibels below what the first movement was calling the sky. Then an Einstein ring, twice, the same way. Source: JWST MIRI and NIRSpec IFU, programs 2926 and 5883. A note on the silences: this piece runs quiet for 6m58s in total, the longest stretch 3m24s. Nothing is wrong with the file. The silence is the recording. Each piece here is a subtraction: two files put on one scale and taken away from each other, with agreement rendered as silence. Where you hear nothing, the two files agreed.

Where the Colours Stop Agreeing
S03:E03

Where the Colours Stop Agreeing

Five spectral cubes, where time runs along the spectrum. These are not photographs. Each is a stack of thousands of images of the same patch of sky, one for every colour the instrument can separate. The subtraction is the same as in episode one, but the scan now moves along the colour axis, so travelling through a piece is travelling through the spectrum. What you are listening for is where in that spectrum a field stops being its own mirror. A protostellar jet, a lensed arc, a quasar host, an edge-on disc, and the core of a ring galaxy. One gain across all five, so the quieter pieces are the cubes that kept more of themselves. The ring galaxy comes in roughly twenty decibels below the jet, and that ordering is not brightness. A sixth cube was rendered for this programme and left out of it: it comes back silent under every scale the instrument offers, because its residual lives in a handful of pixels and this mapping listens to averages. A mapping’s blind spot is a fact for the notebook rather than a movement. Source: JWST NIRSpec IFU, programs 1257, 2484, 2457, 1621 and 2727. A note on the silences: this piece runs quiet for 4m31s in total, the longest stretch 2m24s. Nothing is wrong with the file. The silence is the recording. Each piece here is a subtraction: two files put on one scale and taken away from each other, with agreement rendered as silence. Where you hear nothing, the two files agreed.

The Moon That Kept Itself
S03:E02

The Moon That Kept Itself

Titan, four filters, and a listening test. One target, one detector, one subarray, one scoring, one scale, one gain. The only thing that varies across these four movements is the colour of the light — and how much of the field survived being subtracted from its own reflection. A moon is a disc, and a disc in the middle of a frame is very nearly its own mirror image. At 1.87 and 2.12 microns the disc carries the frame and the movement is quiet. At 3.0 and 4.66 microns it does not, and the movement is about fourteen decibels louder. Set the volume once and leave it. That fourteen decibels is the measurement, not a mixing decision, and adjusting between movements erases the only thing this programme is for. Source: JWST NIRCam, program 4523 (Titan surface and atmosphere). A note on the silences: this piece runs quiet for 6m59s in total, the longest stretch 1m51s. Nothing is wrong with the file. The silence is the recording. Each piece here is a subtraction: two files put on one scale and taken away from each other, with agreement rendered as silence. Where you hear nothing, the two files agreed.

The Line Through the Corner
S03:E01

The Line Through the Corner

Five photographs of the sky, each subtracted from its own reflection. Reflect a frame about the diagonal that runs from one corner to the other, and subtract the reflection from the original. Wherever the mirror gave the field back exactly, the two cancel and nothing sounds. Everything you hear is what it failed to return. The series is named for the part you cannot hear. The Cosmic Cliffs first, then a planetary nebula that really is round and is audibly quieter for it, then five galaxies scattered off the diagonal that never stop, then the first deep field, then one very large mosaic. Four of the five are as far from symmetric as a random field would be. Knowing that ordinary case is ordinary took eighty-nine measurements before a note was rendered. Source: JWST NIRCam imaging, Early Release Observations (programs 2731, 2732, 2733, 2736) and program 1328.