The produced side of the reservoir — ten studio passes and machine improvisations, sequenced to arrive the way weather does.
It opens on a desk render whose session name, A King of Spades Delta 1,
records nothing about the sound; underneath it is an equalised mix of three
brightness-shell stems taken from the 1191 prism cube. Then forty-four minutes
of contourclean, which is all seven engine readings of the 2457 cube —
brightness, obstruction, gradient, lines, flow, holonomy, anisotropy — sounding
at once instead of in turn.
The middle is a decomposition. A persistent-component walk over one cube was exported as stems: components one to four enter in order, each covering barely one percent of the frame, then the residual, which covers half of it — the part no component explains.
Twenty-eight minutes of Mercury24-1 layers those same seven readings across
four different cubes simultaneously. Two renders of the shell stems close.
Before Birth is an acknowledged test series.